Me Made May – lets do this, and GO


That time of year again for the Me Made May challenge run by Zoe from So, Zo

so here is the pledge:

I, Michelle of My Sparkling Machine, sign up as a participant of Me-Made-May ’15.

I endeavor to wear a me-made outfit each day for the duration of May 2015 ***

*** mini side pledge for no repeat outfits – but I am not going to kid myself – repeats are practically guaranteed

I last considered participating in Me Made May in 2013 but I think I piked at the last minute as the idea of daily outfit photos felt a tad exhausting for the entire month.  The month of May is generally quite intense at work and I don’t think this year will be any different – please have patience with me.

I did participate in MeMadeMay many many years before Zoe was our champion – I think?  I vaguely recall a Me Made March and I was inspired to have my own MeMadeMay private challenge.  And to be honest it was a little dull as my me-made items that I enjoyed wearing were quite limited and each week became the same outfits repeating.

I will be sharing the daily outfits on Instagram so please join with me and I hope to do weekly recaps as blog posts.

Wish me luck and apologies in advance for the awkward bathroom photos!

Ending the sewing year with some glitter and sparkles

PH Front mid

One last grasp of breath for the Vintage Pledge. I did intend to complete a 1950’s Bishop method skirt dress as part of the Vintage Pledge but other sewing projects always seem to grab my attention – yes, completely squirrel’d that one. Instead 1970 glamor rears its fabulous head and a Grecian floor length flowing wedding dress appears.

Pattern front

Pattern: Vintage Simplicity 6672 (later re-released in 1980 as Simplicity 9750)
Size: Size 14
Alterations: Shorten skirt length and bodice length
Fabric: Silk Lurex and silk satin interlining from The Fabric StorePH Front half

Paired with Silk lurex and silk interlining from The Fabric Store – my regular haunt since work moved to be 250m away from the Fortitude Valley store – for maximum fabulous.


PH Back  PH Front Full1

The pattern popped up in eBay in a pattern parcel and I swooned. I had been eyeing off the fabric for a couple of weeks and I knew the two would be perfect pairing. So I headed back to the store within a hour or so the eBay sale concluding and I purchased what remained on the roll which was just under three metres from memory.

Front half

After considering that the itch of the Lurex threads in the fabric would drive me insane I went back to pick up some silk satin to use as interlining. As getting a match for green/blue/teal of the fabric was going to be difficult, I matched the interlining to the gold lurex. The silk Lurex is only slightly opaque so the interlining didn’t need to match but I thought a little peak of the gold inside would be sweet as the skirt swooshes around.

Back half  Front half2

Fabric constraints without reducing the length meant the fullness of the skirt needed to be reduced unfortunately. Pattern matching had no chance and fortunately print placement was not a complete disaster however looking at the front now I see a slight flower boob on the front – oh well, work with what we have right?  The back though I am quite happy with the placement, not matching but balanced.

Back full   Front ful

Pattern view

While my previous vintage pattern was complete and all patterns pieces were complete – this one was not the case.  A previous owner had cut off the front and back skirt above the shorter View 1 length and the front bodice had the neat wrap around neck collar hacked off.  Yes, hacked – I can’t even pretend the sinking feeling of seeing one of the endearing features of the pattern completely disregarded.  So based on the pattern piece view included in the instructions I redrafted the top of the bodice front and using the side piece (which appeared completely unused) I redrew what I thought would be the original full skirt length.Front pattern adjusted 

Very few adjustments to the pattern were necessary.  I shorten the skirt length on all pattern pieces by two inches by folding up at the shorten length and pinched out almost another inch to rise the neckline.

Inside back full Inside back half

For the inside finishing, I did consider binding the seam allowances but given the time constraints and not wanting to add too much bulk, a simple pinked edge sufficed.  Because I can’t help myself a few couture features were added.  Hem and armholes were finished with bias binding that was catch stitched to the interlining,  strips of silk organza cut on the straight grain were used as stays across the front bodice gathers and shoulder seams, neck facing fell stitched to interlining, and a hand picked lapper zip. Hemming was quite a drama and I was happy to see the end of it.

Inside front full Inside front half          

The end result is very fun to wear.  The skirt is huge and I stagger to consider how much fun the skirt would be if I didn’t have the fabric constraints!  So much twirling! So perfect for the holiday season where a little bit of sparkle cannot go astray.  Let’s hope for more occasions that require a gold glitter dress!

Silky Hawthorn dress with swing…


I did have a vague plan of what I wanted to sew for the next couple of months – well back in April/May I did.  The plan was to finally finish the Little French Jacket and start some tailoring projects that I have been stockpiling material for.  But the team at Monthly Stitch announced June as ‘Indie Pattern’ month and all plans fell away.   ‘Indie Pattern’ month was something I could get behind.  The month consisted of weekly challenges – the first one was Dress.  A dress from an Independent pattern that sounds easy.  Well…I thought it was.


I honestly did make this dress during the Indie Pattern month, but when it was clear that I had no chance to complete the dress, take photos and blog about it by the end of the first June I slowed the heck down and decided to take my time the french seam the dress – because well the fabric deserves it.


Pattern: Hawthorn by Colette Patterns
Size: 4 at bust / 5 at waist
Alterations: A slight Small Bust Adjustment (as usually required for Colette Patterns)
Fabric: Silk twill from the Fabric Store


To be honest, when the Hawthorn was released I really didn’t like it.  I thought the collar was a little too ‘home sewing’ and I tend to avoid button and buttonholes.  During ‘Me-Made-May’ (yes, way back to May) Lauren from Lladybird wore her Hawthorn and it rekindled my interest.


The collar I previously was a little naff is actually kind endearing and the skirt is fun with just the right amount of ‘twirly’-ness.  And once I perfected my sample buttonholes, completing the million buttonholes and sewing buttons on was quite as horrible as I think.  My only misgiving with the pattern is the gaping around the armhole – it serves me right as I knew better.  I know that the bodice pattern for a sleeveless version of a sleeved dress really should be different to the sleeved version, so I don’t know why I didn’t fix it when cutting the fabric.  Oh the fabric, it has made the dress – I must use silk for everything.  There seriously is no substitute and I love that the Fabric Store always have a plentiful supply.   This silk is a silk panel that I managed to piece around the zigzag/chervon stripe that ended each panel.  The dress is simply a dream to wear and I think I have worn it every week since June (I have refused this winter to admit that cold weather occurs).


I have worn the dress so much that the neckline is beginning to fray due to the narrow seam allowances and my inaccurate sewing.   No insidey photos because honestly the inside matches the outside due to the french seams.  I even enclosed the facing by putting the facing and interfacing pieces right side together, sewing a tiny seam along the edge, turning the pieces right side out and then ironed the interfacing to the facing – I recall seeing this on a couple of blogs many moons that I can’t remember but I definitely know Sewbusylizzy used the method at a time.


I may not be rushing out make more Hawthorns as I still dislike all those buttonholes – I definitely will continue to contribute more silk to the sewing stash!.

Vintage Pledge – A dress for your inner mod air hostess

Pattern envelope

When Marie from A Stitching Odyssey announced the Vintage Sewing Pattern Pledge I did not intend to participate – but I did start to notice the vintage patterns that were appearing on Ebay in my area were catching my eye more often.  As a result, I started buying vintage patterns which added to my previous ‘collection’ of two.  Then Laura Mae from Lilacs & Lace  joins the Vintage Pledge with a guest plot that served as a reminder about why vintage patterns are really worth it.

So I pull out one of my vintage patterns that had been ignored for far too long (thankfully with a matching bust size to limit the alternations) and off we go:


Pattern:  Simplicity 5891

Size: 16

Alterations: A slight thickening of the waist *cough*

Fabric: Textured Japanese cotton from Tessuti

The pattern dates from 1965 and it for sure has the ‘mod’ feel to it.   Definitely a different style than I am accustomed of wearing and for the first couple of wears I felt like it was a strange ’60’s air hostess costume as it has a touch of corporate uniform to it.  Surprisingly the dress has since become a regular addition for my weekday corporate wear.


The fabric is a Japanese textured cotton from Tessuti which was an impulse purchase for the fabric stash the moment the fabric was available on the Tessuti website. And then imagine my delight when my favourite local designer used the fabric in her Winter collection  – Maiocchi Day Dreamy dress  (that is a sign of great taste right?)

Front tie

The dress features a front tie which is really quite sweet, but the print does not do it justice.  Little tie, are you trying to hide in there?


Alterations were very little.  After double checking the flat pattern for the amount of design ease and I only needed to add extra to the waist. I was a bit generous in adding waist ease as I was hoping the dress would be suitable for work and I didn’t want to risk being uncomfortable while sitting at the desk all day.

The skirt was very long but I was trying to stay true to the ‘vintage pledge’ and I didn’t shorten the skirt patterns before cutting the fabric pieces.  As a result the hem allowance is huge – but I do find something luxurious in large hem allowances, no cutting corners to save fabric here.


The patterns instructions have some neat steps that I really enjoyed including – seam binding over the waistline seam, and on the sleeve and skirt hem lines; hand worked thread bars.   With these additional hand work details it only felt fair to interline the skirt with silk organza and catch stitch the seam allowances down – and there is the added benefit of reducing the wrinkles.

Seam binding instructions


Some details of vintage patterns I love – the little construction notes jotted over the pattern envelope, the rusty pins to shorten skirt lengths, the more detailed/couture construction steps then modern patterns; the marked seam lines and little arrows to tell me the stitching direction.  I certainly did enjoy the wonder of using something that had probably been packed away for the last 40 years.

Next up on the vintage pattern adventures will be a shirtdress using the Bishop Method of Clothing Construction. Wish me luck!

For the last of the summer days – a gingham Lily


The weather is cooling in Brisbane but I am hanging on to the remains of summer with a tight grin.  While a sundress is not quite season appropriate at the moment you can get away with it  – just stay in bed until the suns warms up the air a little bit.


Pattern: Lily from Colette Patterns
Size: 10
Alterations: Small bust adjustment for the bodice
Fabric: Gingham from fabric swap at Brisbane sewing meet up (silk habotai from fabric stash)

The Lily sundress seems to be the poor cousin of the Hazel dress from Colette Patterns.  I have never understood this.  The two dress patterns were released together, and while the number of Hazel across the blogsphere and flickr is significant Lily seems to be trail behind.  But there are some wonderful Lily’s around – the pattern is fantastic, hugging all the right places and with pocket construction is reminiscent of the Rooibos.  I recall that the Lily pattern was inspired by Sophie Loren and you can definitely see it – it is great fun to wear.


Following Inna’s lead, the only adjustment I made was a small bust adjustment.  I shaved off 1/2 inch from the side fronts and a little from side seams on the side back pattern pieces.


I changed up the construction process a little.  As I skipped a test muslin, I didn’t attach the neckline flap until after the zipper was in.  This way I was able to have a mid construction fit check before some more adjustments and then attached the neckline flap and facing.  I redrafted the facing and neckline flap patterns pieces to factor in the small bust adjustments, but nothing to major.  The shoulder straps I moved a little out to be a little more bra friendly.


The fabric is from the fabric swap that was held at the Brisbane Sewing Hight Tea, organised by Busy Lizzy in Brizzy.  I am not sure who the original owner was, but thank you the fabric really is quite lovely.   The fabric had a curious sheen to it but after a prewash the fabric’s glory was revealed.  A quick burn test showed that is a cotton, maybe cotton blend.


I did consider underlining as I was a little concerned that the fabric was a little sheer.  In the end I didn’t bother; it is a sundress after all.  After some deliberation over what contrast to use – I settled on some bright green silk habotai.  Red was too obvious, orange was interesting but not quite me, white was meh; green it was.


Pocket detail

Oh gosh, such sweet pockets! – excuse the blurry photo but I had to show more of the pockets.

The insidey bits – nothing too much of note.  Seams overlocked.  Only hand stitching was the hem which for pencil skirt is a pretty speedy task.

Inside backInside front

Invisible zipper for the back but a shame that my local Spotlight was out of black zips – so white it was.  Quite happy with the match at back waistline and matching up the checks.


Bodice back

For next time, no changes really.  Maybe lengthen the shoulder straps a little as the dress does seem to sit close to the underarms – but that’s no big deal.



Sewing Dolly Clackett


Dolly Clackett (aka. Roisin) is getting married, and it’s time to celebrate with sewing!  A scheme to celebrate all things Dolly Clackett had been dreamt up by Sarah from Rhinestones and Telephones.


Roisin is the queen of  dresses, amazing shoes, and novelty prints – and here is my contribution towards #sewdollyclacket with a little bit of Brisbane influence.

Pattern: Elisalex Dress from By Hand London
Size: UK10/US14
Alterations: No adjustments
Fabric: Alexander Henry home decor fabric from Voodoo Rabbit (cotton voile lining from Lincraft)

For the Sew Dolly Clackett challenge I thought I would finally try a By Hand London pattern that I have been slow to join the bandwagon of – Elisalex.  And well I get it now,  apologies for the delay.


The bodice is sublime while I am still a little out with the jury on the skirt.  The fit on the bodice is quite awesome for straight out of the envelope.  There is a little gaping around the armsyce but I suspect would be less noticeable when sleeves are added and certainly nothing that my Coppelia wrap cannot hide.


The fabric is a home decor weight from Alexander Henry Fashion for Home range called Frida’s Garden Tea.  While Brisbane is a little sparse for eclectic novelty print collections but Voodoo Rabbit come through for me.  They even have their own collection on Spoonflower.  The home decor weight may be a little too heavy for the skirt, especially since I kept most of the length despite clearly being longer on me than the pattern intended.   The pegged skirt is a little too wiggle for my liking, so if I keep the length next time I’ll add a back vent.

20140406_141943 20140406_141949

The fabric called for some mean pattern placement and matching!  I think I was pretty successful with it.  There is only one decapitated Frida but her body is actually hiding amongst in the skirt pleats.  I was really pleased with print matching on the bodice with those the princess seams.  The print is kinda too obvious to completely ignore trying to match up.  Not really over the moon with the skirt back with an odd double image thing going on but I’ll never see the back when I am wearing the dress – so pfft. Though the side seams on the skirt I am pleased with.  I guess I spent too much time concentrating on the side seams to consider how the centre backs would finish up.

Bodice seamSkirt side seam


The insidey bits – the bodice is fully lined with a cotton voile that adds a lovely finish and oh so comfortable for Brisbane weather.   A bit of hand sewing to finish off the bodice lining  and the hem.  Thankfully the fabric was surprisingly forgiving  to hem up!

Back bodice inside  Hem inside

No invisible zipper for the back as I was a little wary of the amount of bulk by using such a heavy fabric.  Instead, a standard zipper.  A nice match at back waistline for the zipper but a shame the top edge is not as close as it could be, though who is standing that close to me to notice.

Zipper seam

I definitely hope to see more this Elisalex bodice – with just a couple of adjustments I feel it can become a tried and true pattern.  Just as it already has for so many others in the sewing community.

Back to the Sew Dolly Clackett celebrations – I wish Roisin and Nic all the best for their special day and may the Prosecco flow!

(oh yes. Pics are taken at my front door.  I considered trying to find a house with a green front door to be more true to Roisin’s style but I thought taking photos outside a stranger’s front door that may not end well)


Striped Thurlows


With three short completed its  time to battle fit…please step up Sewaholic Thurlows


Pattern: Thurlow Shorts by Sewaholic Patterns
Size: 10
Alterations: A 1/2 inch full seat and 1/2 inch full abdomen adjustment
Fabric: Stretch cotton from Gorgeous Fabrics

The complex patterns continue for the Summer of Shorts as we have a fly front, double welt back pockets, centre back extension and belt loops.  Definitely one for the details!

Flat front

Sewaholic Patterns are sized for a pear-shaped figure: smaller waist, larger hips and thighs.  Well, I guess I am an extra pear pear as I needed some additional space for a full derrière and the absence of a flat tummy.  I completed a quick muslin in a size 10 and then The Perfect Fit: The Classic Guide to Altering Patterns keeps me in good stead for the adjustments I needed.  I did check out Nancy Ziemans Pattern Fitting with confidence but I just didn’t understand what I needed to adjustment so I moved on.  Thankfully with The Perfect Fit I was able to match my fit problem to the mass of fitting photos within the book and go from there.

20140323_085808 20140323_085923

I think I was falling into the rabbit hole that is fitting as I panicked when attaching the waistband I adjusted for another smidge for the ‘protruding tummy’.  As a result the waistband does not match up as nicely as if I just left it alone.   Aahh, the punishment of overfitting!   And I am still not convinced by the fitting.  Adding to the drama, my hip measurement has dropped since I made the test muslin not significant but just enough that the shorts seem to wear a tad lower than I intended.

Back welt

The back welt pockets went in nicely, and the belt loop technique was a breeze.

The fabric makes the project and this make is certainly no different.  The striped cotton is from Gorgeous Fabrics – its still available and now I notice that another colour way is available. The fabric is well behaved and there were no dramas in the construction.

Front pocket

I got some perfect stripe matching on the front pockets – like a boss!


The centre back extension that I didn’t use to fit the shorts.  But now I think be able to bring in the waistband.  I used the blind hem stitch that came with my sewing machine to get the stitching in the waistband ‘ditch’  which works like a charms as long I have given the waistband a good press with a iron beforehand and I smooth the waistband as it goes through the sewing machine.

Inside back extension


One of my few deviations from the instructions was to french seam the front pockets.  Such an awesome finish to try!

French seam front pocket


I love the finish of the shorts.  It is seems very much ready to wear – love the details on the front waistband with the extra button to support the closure and little point on inside.


Fly front


My  other deviation from the pattern instructions was to complete the hem with a double fold and top stitch with some topstitching thread I had in the sewing stash.



Topstitched double fold hem

Some things to note for next time – Not the biggest fan of the small slash pocket.   I think if I switch to the side slash pockets from Pattern Runway scalloped shorts to the Thurlow I think I have found my tried and true shorts pattern.

Next up for the Summer of Shorts – probably some hibernation as Brisbane transitions into somewhat ‘cooler’ weather.  I am considering some corporate trousers for work in a wool suiting.  Perhaps with a ‘lighter’ dress zip the fly fronts will be mastered as I edge towards a tried and true pants pattern!  I do have more shorts in the pattern stash – but I may need to wait til the next time warmer weather is around before the knees make an appearance.